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  • Music Composition | Bree Zhang

    Guzheng Solo Guzheng with Vocals Orchestral Compositions Compositions by Bree Zhang Spotify Guzheng Solo Growing Up This song addresses the joy, sadness, and beauty of growing up. It begins with a prelude of introspection and then transitions to the main melody filled with fun and playfulness, representing the innocence and unreserved happiness of our childhood. The melody gets faster and faster, just as we barrel through life faster and faster from crawling to walking, to running, to sprinting, but then…⁣ ⁣ Suddenly, our childhood is shattered. Suspended in uncertainty, we glance around, realizing that the world as we know it isn’t the same. Moving forward, the song takes a deeper tune, one that may be filled with shades of sadness, guilt, heartbreak, anxiety, fear. Yet we still advance forward, step-by-step. We grow, finding strength in our weaknesses and fears, learning how to live with our own inner demons, creating beauty from shattered glass: that's what’s called maturation. And, sometimes, we may look back to our old childhood memories with a bittersweet yet hopeful smile. It’s never the same but we can reminisce and appreciate our old memories. Metamorphosis Just as a caterpillar transforms to a butterfly, this piece describes my metamorphosis from a fumbling young girl into a determined young woman. I used to have confidence issues and always felt like a secondary character. However, music, art, story-writing, and my interactions with my culture helped to provide stepping stones which I slowly climbed until I gathered enough “nutrients'' to crystallize and form a cocoon of confidence. In this song, my moment of “metamorphosis” begins (2:08 to 3:14) when I realize how far I’ve come. It’s like an awakening, building to a point where I break free from my chrysalis with newfound wings, flying through the world with speed, energy, and power (represented by the song’s sudden increase in tempo and excitement from 3:16 to 4:13). As I fly, I realize how vast the world is, how many infinite possibilities exist for me to explore. However, the most important part of my metamorphosis (represented by the song’s slower finish 4:38 to end) is remembering to rest my wings at the end of the day so that I have time for reflection and introspection. Thus, as I wrap up my song with a slower yet purposeful finish, I am filled with a satisfaction of how much I’ve grown. Returning Home When I was younger, my grandma came all the way from China to help raise me. Not only did she ensure I was healthy and happy growing up, she also taught me about my Chinese culture and heritage, instilling in me values of gratitude, patience, and resilience.When I was 10, however, my grandmother had to return to China due to her declining health, and she never came back to America again. I missed her very much for several years, wishing I could see her again and show her how much I’d grown since she left. And in 2017, I was given the perfect chance: I found out I was returning to China for a guzheng talent competition and that I would be able to reunite with my grandmother before the competition. I was so elated and excited that I decided to write a song dedicated to my grandmother called “Returning Home.” The first section of my song (0:00 to 2:39) symbolizes my longing for my grandma. The allegro portion (2:39-4:00), which features my technical skills, symbolizes my excitement and anticipation of meeting her after so many years of separation. I also paired artwork with this piece. The first three works in this sequence show key points of my relationship with her, whether it was feeding fish above a pond in my hometown, blowing candles during my birthday, or simply laughing together. The last work features my happy reunion with her. That day, I was able to perform the song for her in person, and the smile on her face was another moment that I wanted to capture in memory forever. Guzheng with Vocals Guzheng with Vocals Daydreams It was very difficult writing, singing, and making art for this song because it brings me back to a time filled with insecurities, fears, loneliness, and self-loathing, a time when I didn’t know who I was, when I pretended to be someone I wasn’t, floundering in search of an identity, surrounding myself with people but feeling quite lonely, chipping away at myself with sweet lies until I almost believed them. However, I’m really glad I finally finished it because now I’m able to look back and confront it. To the girl in this song (Me Of the Past), she would’ve never imagined herself living the life featured at the end of this song (artwork which I paint in saturated beautiful colors), so it’s just yet another “daydream,” a beautiful lie she repeats to herself in hopes of seeing change. But someday, it will come true, someday :) In Ten Years “In Ten Years” is about facing rejection, standing up from it, and moving forward with no regrets. I was inspired by the many college rejections I received over the course of December to early March my senior year (prior to getting into Brown, which I honestly never expected to get into given my college track record). Each result I received was a blow to my confidence, and I started to question whether I was really capable or talented or intelligent. However, I eventually knew I needed a change, and instead of feeling sorry for myself, I decided to channel my feelings into an actual song and do something productive with it. This song, “In Ten Years,” was born as a result. It was my first time composing a song that included vocals, singing while playing the guzheng, and shooting and editing the film. In the end, I was able to learn many new things, and I will continue to move forward with my head held high. Orchestral Compositions Orchestral Compositions A Mother's Love 🥰This music composition and series of 12 art pieces (titled “A Mother’s Love”) is a tribute to my mother and all the other beautiful mothers in this world who have given us irreplaceable support, wisdom, care, and love since the day we were born, from changing our diapers, to teaching us how to walk, to comforting us when we are sad, to cheering on our successes, to supporting us even when we leave home to explore the world. No matter how old I become, I will always keep my mother in my heart and remember all the sacrifices and hardships she endured to provide me opportunities to grow, learn, and love. I love you 妈妈. Dancing in Snowflakes - Bree Zhang 00:00 / 00:00 A Journey in Retrospect - Bree Zhang 00:00 / 00:00 Dancing in Snowflakes “Dancing in Snowflakes” is written for my chinese orchestra, Music From China Youth Orchestra. It describes the care, grace, and empathy we must have to interact with snow without breaking its purity—whether we are in elation and power or in stillness and quietude. Although the song does have western elements, it takes on a predominantly ethnic theme from the pentatonic scale. Furthermore, it features several individual solos, from Hulusi to Erhu to Liuqin to Guzheng, and these instruments build on each other in layers and layers, accumulating in volume and power just as snowflakes quietly and seamlessly decorate a landscape in their beautiful coldness. A main melody is integrated 5 times throughout the song, but it is rendered differently each time, sometimes appearing as a solo, other times being played by the whole entire orchestra. Regardless, the last melody (m. 60) is played by all the instruments that complement and support each other as one unit—just as snow sticks together and embraces the world in a single color of white. ​ When I began this piece, I was also inspired by one of my favorite figure skaters, Evgenia Medvedeva, so I created an artwork that goes with it. See here for the time lapse drawing of the piece. A Journey in Retrospect “A Journey in Retrospect” was my first attempt at composition. I wrote it December 2016 for my orchestra (Music From China Youth Orchestra), and it was performed on June 3rd, 2017 at Drew University. Mixing elements of western and traditional pentatonic music, this song reflects the journey of a person’s life—and my own journey through composing. It begins with a prelude that introduces the central motif to set the mood and pace of the song, in the same manner an author would preface his story with some background. The prelude is followed by a jumpy innocent melody first played by plucked instruments—representing our shaky little steps at the beginning of a journey (m. 9). The melody is then repeated more richly and melodically by string instruments—representing out gradual maturation and development in our journeys (m. 17). Eventually, the song changes into a more powerful theme (m. 33) that is characterized by strength and willpower in the face of trial and tribulations- the melody builds in momentum until it reaches a climatic direct modulation key change (m. 44). Following the key change is a rich intersection of three different melody lines, and the song slowly falls in power until it repeats the prelude (m. 53), returning full circle, but this time, the prelude sounds different: it is deeper, more experienced, more reflective tone- just as we when we look back at the end of our journeys. For more info about me, check out: About Me Time Lapse Art Artwork My Guzheng Story Music Arrangements Other Performances Subscribe to my Youtube Channel for more music updates! Follow me on Spotify! Spotify

  • My Asian Identity | Bree Zhang

    Banana Bree Love & Hate Not Like Other Asians Why am I Lonely? Claiming Soil What's Next? Just Like Other Asians My Asian Identity Banana Bree Phase Growing up, many children want to be astronauts, teachers, doctors. I wanted to be a “banana.” Yellow on the outside by default of genetics, white on the inside by choice. My mother always told me, “You can’t change your skin, but you can decide how you act." Living in a very white town, I took that as encouragement to push away my Asianness away. Asians = nerdy? I pretended to be stupid. My Chinese food = smelled "weird"? I ate school lunches. Asians = "unathletic”? I made volleyball my life. ​ I called myself Bree Zang, the Americanized pronunciation of my last name “Zh āng” 张 (pronounced: J āhng). It never occurred to me to say it any differently. Why pronounce it correctly when people make a weird face then ask “why do you spell it Zhang when it’s not pronounced that way?” Funnily, the closest an American came to pronouncing my last name was when they asked “Did your parents drop pots and pans down the stairs and listen to the sounds to name you? Ding dong. Ching Chong. Bree Jong ?” I don’t name this experience to get pity for myself because this is a common Asian American experience. (“Oh, you got the slanted eye jokes?” “I got the jokes about eating dogs.” “Oh! You wanted to have blonde hair too?” “Blue eyes for me.”) I name this experience because I want to tell the story of how I tripped, fell, and found my way to my identity. It started with the 古筝 (guzheng). Love & Hate Love, Hate, Gaslight Up until highschool, I was always ashamed to let others know I was playing the guzheng, but things changed in 2014 when I began teaching guzheng at my Chinese School. There, I realized that if I wanted my students to be proud of themselves, I first had to first at least accept my Chinese background myself. So I started playing the guzheng in front of white friends, bringing it out during volleyball sleepovers as they recorded me on their snapchat stories. But instead of fully accepting my Asianness, I weaponized my Asianness. I used “I’m so Asian!” and as a way to be funny—a knife against myself. I acted in ways to jokingly confirm Asian stereotypes because at least I was getting attention from people, and didn’t attention mean that I wouldn’t be alone? ​ Instead of fully accepting my Asianness, I commodified my Asianness. During college application season, I wrote my common app essay about teaching my guzheng students and spreading my Chinese culture. I painted myself as a girl who celebrated herself and the Chinese heritage sung by her students’ guzheng strings. ​ I wasn’t lying. Everything written in the essay was true. But it’s funny how I could simultaneously love my Asianness yet be ashamed of it. I embraced my Chinese culture—calligraphy, music, history, language—but I was ashamed that my parents had accents or that I watched anime. I loved my guzheng, but still, I avoided performing solos in “Qipao” or traditional chinese wear because I thought Western gowns fit me better, made me look more beautiful. It was as if I selectively compartmentalized my Asianness into different drawers, rejecting, accepting, and hiding different slices of myself. "I'm Not Like Other Asians" This simultaneous self-love and shame led me to adopt a “I’m not like other Asians” attitude in college, similar to the “I’m not like other girls” attitude. Yes, I was proud of my Asianness, but no —I wasn’t like those other Asians who just hung out with their own Asian friends. I thought was different , I was “special.” I played the guzheng, not the piano or violin. I was heavily invested in arts and humanities, so not the typical Asian STEM pre-med (reflecting back, this fixation is extra r idiculous because almost every Brown pre-med I know is so multifaceted and eloquent in science and humanities). ​ To assert my Asian-but-not-Asianness, I talked often about my guzheng, but I avoided large Asian gatherings and parties. I gravitated towards friends who were either white or other people of color. I even told myself “I can't have more than 1/5 of my close friends as Asians, but I can’t have 0 or else I’m too blatantly white,” as if my identity was a calculation, rather than an existence. Perhaps this is why, as a first-year, I started to feel a bit alienated and distant from my fellow Asians. Not Like Other Asians "Wait, why am I lonely?" It took little steps. ​ It took reflecting on myself through art and music composition. Why I was lonely. Why I felt compulsions to avoid or seek out certain people. Recognizing these compulsions. Acknowledging that I was still on a journey to find peace with my identity, that I wasn’t the proud girl I wrote about in my common app essay. Why am I Lonely? Daydreams, 2020 It took meeting friends who were genuinely interested in not Bree Zang but Bree Zh āng. who were willing to venture beyond the tasty flavors of my culture but also the deeper grittier, darker parts. Who found pride in parts of me that I wasn’t proud of. ​ It took meeting inspiring peers who were unapologetically wearing their own skin and identity. Listening to their struggles. Their realizations. Claiming Soil That's Not Solid One of my proudest moments in college was sophomore year when I made an artwork . selected for Brown University Science Center’s Annual Art Exhibit. At the exhibition’s opening talk, I decided—for the first time in my life—to say my last name 张 “Zhang” the real way. ​ What does it mean to claim your name? To claim your space that—yes—you can belong here. Claiming Soil Sides of Me You Don't See , 2020 But what does it mean to return home every semester break and watch my mom trying to decide what food she can’t bring to work because 香菇 and 猪耳朵 “smell weird” to her American co-workers? What does it mean to still fight feelings of shame when my parents take too long pronouncing the words on a restaurant menu—and to remind myself that they’re not stupider because they have an accent. In fact, their accent makes them wiser and stronger. What does it mean being catcalled on the street and yelled at to “Go back to china?” and to be asked “do you eat bats?” while still feeling pressured to fit the model minority myth, which upholds a system that pits us against other people of color? What's Next? I still have a long journey ahead of me. While I fight for space, I must simultaneously recognize the space I take up . Being Asian, I have privileges that have been used to perpetuate racism and fabricate a racial hierarchy in America. Being East Asian, I have privileges that allow me to be represented and portrayed in the majority of the “Asian” experience, which tends to erase and marginalize other subgroups within the pan ethnic Asian narrative. I must continue to grapple with a history of colorism that persists in my own culture. I must continue to grapple with the concept of being Asian American not as a singular story but in a web of gender, sexuality, class, neurodiversity, generational trauma, and more. It’s a long journey ahead, but for now, I just want to focus on how far I’ve come. I no longer think “I’m not like other Asians .” ​ What's Next? Stop Asian Hate, 2020 I Want to Be Like Other Asians I want to be like every other Asian because we’re all so cool, different, talented, inspiring, unique--and none of us are the same, and we can be hurtful, and we can be cruel, but we should be appreciated as human beings who encompass all these intersecting qualities. ​ I know many of us are at different stages with our identity. I still struggle. Oftentimes, I feel the creeping fear as I slowly lose my language, as I forget certain words on my tongue because I haven’t used them in a while, and because I’m no longer speaking Mandarin with my parents as often. I try to remind myself to hold onto my words, to play the 古筝 more often, to savor my parents' cooking. ​ Sometimes, I realize that my beliefs do not always align with some of the traditional Chinese values of our parents' generation. I realize I cannot deny their traumas and struggles that solidified their beliefs about conflict, social mobility, and equity. I realize I also cannot easily change their beliefs about mental health, gender, and sexuality. But I continue to have conversations to unpack, communicate, and translate. To understand them and have them understand me. ​ It's an honor to be Chinese American, but it takes effort and intentionality to exist within both the "Chinese" and "American" without losing one or the other. ​ That's the beautiful part of it as well. Just Like Other Asians Leveled Up! 😊 For more info about me, check out: Art Portfolio Time Lapse Art Music Compositions My Dental Journey Music Arrangements Buy Artwork Subscribe to my Youtube Channel for art/music updates! Follow me on Spotify! Spotify

  • Artwork | Bree Zhang

    Dreams STEM in Art painting my school building Brunoscapes Snapshots in... Ordinary Meets... Social Commentary Family Love Identity Search Still Life Miscellaneous Copy of Art Portfolio 2 Portfolio - Bree Zhang Click each work to see its full description. Time Lapsed Art Buy Artwork Commissions STEM in Art STEM in Art These works are inspired by my STEM passions within chemistry, biology, physiology, and genetics. They also contain important messages related to the healthcare field: medicine, behavioral health, public health, and my future profession: 🦷 dentistry 🦷 Painting my school building painting my school building I decided to paint scenes of my school building! The Va gelos Education Center (also known to me as VEC), is not just a building where I go to lecture and study: it's a combination of the four elements of nature; it's a concert hall; it's a mural; it's a reservoir for creativity--where knowledge and conversations overlap and bring about meaningful growth :) Brunoscapes Honored to announce that I am officially selling artwork via the The Brown University Bookstore ! "Brunoscapes" are renditions of memorable locations at Brown, each associated with specific memories, feelings, and emotions of my undergraduate experience! Brunoscapes Dreams Dreams These dreamscapes and imaginary lands are rendered spontaneously without any prior planning, sketching, or reference photos. Like lucid dreaming, I let go of my inhibitions and allow my imagination to fabricate the landscape around me as I revel in the unconstrained fields of my mind and the different variations of creativity it can manifest. Snapshots in... Snapshots in Time The world as I see it is composed of snapshots of meaningful places, objects, and people that have emotional significance to me, no matter if they are happy, funny, sad, or tragic. I capture these moments in memory so that I can keep them with me forever, etch them forever in the molecular gaps between the threading of my canvas or paper. Without them, I wouldn't be Bree Zhang. Ordinary Meets... Ordinary Meets Unordinary These pieces retain the structural integrity of the ordinary world but transcend the constraints of reality. Some works are simply funny humorous, some are bizarre and outlandish, some are inspirational, some may be sad or frightening. Social Commentary Social Commentary My social commentary functions as activism and investigation within the intersectionalities of race, gender, sexuality, neurodiversity. It ranges from calling us to take voting action, to raising awareness about Anti-Asian Hate, to encouraging us to stand in solidarity against COVID-19, to analyzing female idealizations and expectations in relation to objectification, clothing, body image, and sexual violence. Tributes to Love Art and Music Combination Pieces Returning Home Family Love These 4 pieces are made together with my guzheng composition dedicated to my grandmother, called "Returning Home ." Each piece shows a treasured moment with my grandmother: feeding fish above a pond in my hometown, blowing candles during my birthday, laughing together, and reuniting with her after 7 years of separation. Go to My Compositions for the song and a more detailed description of my relationship with my grandmother. A Mother's Love This series of 12 art pieces (paired with my music composition “A Mother’s Love ”) is a tribute to my mother and all the other beautiful mothers in this world who have given us irreplaceable support, wisdom, care, and love since the day we were born, from changing our diapers, to teaching us how to walk, to comforting us when we are sad, to cheering on our successes, to supporting us even when we leave home to explore the world. No matter how old I become, I will always keep my mother in my heart and remember all the sacrifices and hardships she endured to provide me opportunities to grow, learn, and love. I love you 妈妈. 🥰 Daydreams (listen on Spotify ) Identity Search Search for Identity Art and Music Combination Pieces These pieces comprise the art background to my song, Daydreams (see music video ), which details my insecurities and search for identity. "Daydreams" goes hand-in-hand with my art piece below, "The Sides of Me Your Don't See." To the girl in this song (Me Of the Past), she would’ve never imagined herself living the life featured at the end of this song, so it’s just yet another “daydream," a beautiful life.. But someday, it will come true. ❤️ The Sides of Me You Don't See This 3-D interactive work, made in conjunction with Daydreams, explores my struggle to come to terms with my Chinese identity . Click inside the first picture for the description of this piece. This piece shows a 2019/2020 snapshot of my reflection. Read about my full journey at "My Asian Identity ." Still Life Still Life Practice pieces through direct observation using graphite or charcoal Miscellaneous Miscellaneous A combination of contests, commissions, master copies, fan art, and other pieces that do not fit in any of the categories above. Follow my art instagram account at @breez_art_ for more updates! More About Me My Publications Harvard Global Health Starter Kit co-author, 2nd author of bottle feeding case study My Infographics Advocacy infographics featured on Columbia and Harvard ASDA pages. My Asian Identity Reflections on what it means to be Asian American and my struggles with my identity Why Dentistry About me as an NHSC Scholar, TedX Speaker, Advocacy Award Recipient Dental Art & Music How I combine music therapy and art to heal and educate patients! College Reflections My five key takeaways + lessons from Brown University: the goods, bads, and funs! Music Compositions Performed in Carnegie Hall (5 times), Metropolitan Museum (2 times), McCarter Theatre (2 times) Pageantry Miss Chinese Pageant 2018 2nd Runner up, Miss Talent 2018, Laihing Jewelry Winner My Art Portfolio Sold by Brown Bookstore. Featured on Columbia Global Consortium of Climate Health

  • Guzheng Performance | Bree Zhang

    Solo Duet and Ensemble Other Instruments Traditional Chinese Pieces Performed by Bree Zhang Guzheng Solo Spring Comes to the Snowy Mountain - Unknown Artist 00:00 / 00:00 Spring Comes to the Snowy Mountain ​雪山春晓 Composer: 格桑达吉,范上娥 Recorded on October 15th, 2017 The Peacock Flying Southeast ​孔雀东南飞 Composer: 郑德渊 Re-arranger : 邱大成 Drew University Concert Hall June 3rd, 2017 Music From China Youth Orchestra Rainbow Concert Spring Comes to Lhasa ​春到拉萨 Composer: 史兆元 Drew University Concert Hall May 31st, 2015 Music From China Youth Orchestra Rainbow Concert Gui Zhou Yao 贵州谣 Composer: 姚宁馨 The College of New Jersey Concert Hall November 8th, 2014 NJMTA Young Musician's Competition Winner's Recital ​ Xiang Shan She Gu 香山射鼓 Composer: 曲云 Hong Kong, China August 13th, 2013 The 3rd International Zheng Contest 11-14 Age Group Guzheng Duet and Ensemble Duet and Ensemble The Dance of the Amei Tribe ​阿美族舞曲 Composer: 台湾民谣 Rearranger: 顾冠仁 The Hindu Temple Society of Northern America in Flushing, NY February 25th, 2018 Chinese New Year Festival 春节晚会 Additional Performer: Emily Yang Hanging Red Lanterns 挂红灯 Composer: 周成龙 McCarter Theatre, Princeton, NJ February 8th, 2014 Chinese New Year Festival 春节晚会 Additional Performer(s): Grace Chen, Jennifer Zhang, Joyce Lu, Emily Yang, Angela Weng, Sabrina Ngan, Jiongnan Liu, Jacqueline Hua, Bonnie Hu. The Song of Spring 春节序曲 Composer: 李焕之 McCarter Theatre, Princeton, NJ February 8th, 2014 Chinese New Year Festival 春节晚会 Additional Performer(s): Grace Chen, Jennifer Zhang, Joyce Lu, Emily Yang, Angela Weng, Sabrina Ngan, Jiongnan Liu, Jacqueline Hua, Bonnie Hu. Guzheng with Other Instruments Other Instruments Fisherman's Song at Dusk 渔舟唱晚 Composer: 曹正,朱郁之 Huaxia Bridgewater Chinese School January 31, 2016 Chinese New Year Festival 春节晚会 Violin: Joyce Lu For more info about me, check out: About Me Time Lapse Art Art Portfolio My Guzheng Story Music Compositions Music Arrangements Subscribe to my Youtube Channel for more music updates! Follow me on Spotify! Spotify

  • Music Arrangements | Bree Zhang

    Arrangements by Bree Zhang Pop Songs I Don't Wanna Live Forever Original Artist(s): Taylor Swift and Zayn Malik Rearranged into guzheng version Recorded on May 20th, 2018 ​ This guzheng cover is my way of merging eastern and western music together by intersecting two worlds and techniques in a single piece. Traditional Pieces My Home Country ​我的祖国 Original Composer: 刘炽 Rearranged by to fit a violin background music track. Huaxia Bridgewater Chinese School February 11th, 2018 Chinese New Year Festival 春节晚会 Dancer: Adrianna Liu The Dance of the Yao Tribe 瑶族舞曲 Original Composer: 刘铁山,茅 Rearranged into guzheng duet The Ellora Banquet Hall, Edison, NJ May 6th, 2018 ICEPN Television Mother's Day Concert Additional Performer: my mother, Hua Zhu For more info about me, check out: About Me Time Lapse Art Art Portfolio My Guzheng Story Music Compositions Other Performances Subscribe to my Youtube Channel for more music updates! Follow me on Spotify! Spotify

  • Time-lapse Art | Bree Zhang

    Time Lapse Tutorials Art Videos by Bree Zhang Time Lapse Digital Drawings Doggies at the Dental Office! Featuring Lulu and Olive, the comfort dogs at my dental office, the Dental Associates of Rhode Island, who make our office a welcoming home and help alleviate patient fear and anxiety! <3 ​ Olive and Tallulah were rescued from Little Rhody Rescue, a nonprofit dog rescue organization striving to find safe homes for neglected and underprivileged dogs. Olive and Tallulah have been with the DARI family since 2018, comforting patients in the office during dental appointments.⁣⁣ ​ They Say Humans Taste Like Beef This artwork is a social commentary that imagines an alternate parallel universe where human and animal relations are flipped, where humans are raised like cattle and their body parts eaten for dinner under romantic starlight. ​ The timelapse can be accessed at the very end of the video after the cow conversation finishes. India Point Park Whenever I walk down to India Point Park in Providence, RI, I am mesmerized by the quiet beauty held within the stillness of water, especially during the winter when snowy white seems to blend into the sky. It brings me back to an old dream that inspired my first oil painting in 2016, where I was sitting along the edge of a dock, staring out at an expanse of a frozen lake and a red forest laden in white snow. 5 years later in 2021, I am reflecting on that dream: both the feeling of loneliness that comes from being in your own thoughts and the feeling of calm contentment as I watch the birds that I am not alone right now. The red within me is all around me--if I only take the time to look. I'll Still be Painting I was inspired to make this piece after re-watching Howl’s Moving Castle. This artwork is an oath to myself to always be an artist, whether I’m 19 years old or 91 years old. After all, there’s something beautiful and powerful about art for all ages, not only functioning physiologically to improve neurologic mechanisms such as sensory-motor integration, abstraction, and eye-hand coordination, but also guiding identity formation, allowing us to express our inner thoughts, emotions, feelings and values, from facing fears and insecurities, to capturing moments of love and happiness, to exploring ourselves and the world around us. Even when I grow old and lose my physical capabilities, I hope to retain a youthful mind and a spirit of an artist, just as Sophie did in Howl’s Moving Castle :) Imagined City In this artwork, I crafted this city and its inhabitants without references, drawing random buildings and structures as I saw fit. I let the flow of my imagination guide my pen in a direction I had no idea where I'd end up, in the same way as the girl who lets her imagination take her away to a faraway place she yearns for. This piece is actually made in conjunction with a book I am currently working on, “The Nameless Novel’s Secret.” Thus, the artwork features elements and symbols of this novel, which will make sense as the plot unfolds and unravels. Digital Art Program: Clip Studio Paint. Video Recording Software: Cyberlink Powerdirector. Dancing in Snowflakes Inspired by Evgenia Medvedeva, I made this digital artwork, which is paired to the music I composed for my MFCYO orchestra. This video features a speedpaint time lapse of my entire process from a blank canvas to the finished product. For a more in-depth description and full score of the music, see here . ​ Digital Art Program: Clip Studio Paint. Video Recording Software: Cyberlink Powerdirector. Vincent Zhou Drawing This artwork is dedicated to Vincent Zhou, whom I feel a close connection to as an ABC and someone born in the year 2000, the year of the dragon. Overall, I'm inspired by his athleticism and intellect, and I wanted to convey it here in the power, strength, and resilience of the dragon, which represents his zodiac and mine. ​ Digital Art Program: Clip Studio Paint. Video Recording Software: Cyberlink Powerdirector. Tutorials The Power of Words A time lapse of my art process paired with a voiceover. For the full description of this artwork, see here . ​ Digital Art Program: Clip Studio Paint. Video Recording Software: Cyberlink Powerdirector. Music Background: "Always With Me" by Joe Hisaishi. Tutorials For more info about me, check out: About Me Art Portfoio Music Compositions My Guzheng Story Music Arrangements Other Performances Follow my art instagram account at breez_art_ and deviant art account at bubba-bree for more updates!

  • Why Dentistry | Bree Zhang

    Why Dentistry? I decided to make an artwork to answer the question Watch my TedXTalk for a more personal version of the story To me, dentistry is like painting an artwork or composing a guzheng 古筝 song: both require sensitivity of touch, creative visualization, and the ability to sculpt not just the intricate details but also the larger symphony of what our mouth’s blank canvas can become: the smile. 😁 Dental art is also a science. It requires a thorough understanding of how dentistry’s “paints” react, solidify, and set according to different temperatures, moisture levels, time frames and mixtures, whether it is the chemical reaction of alginate (drawn as d-mannuronic acid and l-guluronic acid ), or the blue-light stimulated 3d polymerization of composite resin in restorative fillings. That's when my organic and inorganic chemistry knowledge 🧪 merges with my love for biology🧬 , from the aromatic ring in lidocaine improving lipid solubility, to fluoride-assisted remineralization of enamel (depicted as Ca10(PO4)6(OH)2 +2F− → Ca10(PO4)6(F)2 + 2OH− ). ​ One of my favorite “biologies” is microbiology. 🦠 The oral cavity is an entryway, living environment, and source of replication for millions of microbes (I’ve drawn a few: SARS COV-2, HIV, E. Coli, Pneumococcus, Diphtheria, Tetanus, etc ), some of which have sparked major epidemics and pandemics. This oral-systemic link is where my interest in science “flows” into the heart and lungs of my passion for public health. 🏥 I’ve seen how the mouth is often the first place to detect disease, cancers, and immune system dysfunction; how poor oral health is linked with heart disease, diabetes, COVID-19, Alzheimer's, and other synergistic diseases rooted in socioeconomic circumstances. 😷 ​ Given that dental decay is the most common disease in the world, and that cumulative national costs 💵 for dental treatment in many countries are higher than those for cancers and heart disease, I hope to be advocating for policies that not only increase upstream prevention and integration (depicted by superior vena cava flowing up to globe ) but also prioritize resource conservation and our fragile relationship with Planet Earth. 🌎 ​ Public health cannot be improved without improving oral health, but the “heart” 💗 (aortic artery flowing upwards in "Why Dentistry" artwork) of our health is also connected to our brain, which is where my love for psychology comes into the picture. 🧠 Our mental health influences oral health through biological channels (systemic inflammation and hormonal imbalance) and psychosocial channels (motivation, social habits, dental fear and anxiety). Meanwhile, our oral health reciprocally affects our mental health by impacting our ability to eat, talk, work, sleep, and smile: a key to confidence, identity, and social mobility. As a dentist, I hope to use tools of psychology to restructure phobias and integrate art and music therapy into dental settings--returning full circle to my favorite multi-colored “hues'' and “melodies.” 🎨🎵 ​ The dental field is growing at such a fast rate. With a passion for teaching 📚, I hope shape the dental curriculum so that cultural competency is not just a strength but a fundamental core principle. So that mental-health informed dental care is always built from acknowledging social determinants of health. So that we can work collaboratively with all disciplines to tackle the global burden of oral disease. ​ So when people ask me “why do you want to be a dentist?” I say that “not just a dentist but an oral health physician 🩺, an oral health advocate 💪, and an oral health educator 📖." And who knows--maybe I’ll be adding more pieces to my “why dentistry” painting in four years. About Me as an NHSC Scholar On September 8th, I received my official award letter from the National Health Corps Scholarship!! The National Health Corps Scholarship provides financial support for full-time enrollment in an eligible primary care health professions degree training program between 2 yrs and up to 4 school years, covering tuition, reasonable educational costs, and monthly stipends for living expenses. After graduation, scholars devote time practicing in a HPSA (health professional shortage area) for the years they receive the scholarship. I am very blessed for this unique opportunity. Dental disease is a neglected epidemic: more than 1/3 of low-income adults avoid smiling and face employment difficulties due to the state of their teeth. Dental pain has been reported to affect up to 30% of adults, which also impacts their ability to sleep, eat, work, and take care of their children. Right now, about 49 million Americans live in communities that have been designated dental professional shortage areas. It’s so important to address and fix the geographical shortages of dental providers, BUT we must also think about the roots of the problem: a segregated healthcare system, a treatment over prevention culture, policies that perpetuate other social disparities in education, food access, & more. Beyond just practicing in a HPSA, I hope to continue pushing for increased dental access and prevention/education on the upstream policy level. NHSC Scholarship NHSC Scholarship NHSC Scholarship NHSC Scholarship 1/6 Click to see full perspective. Infographics explaining more about NHSC Scholarhip Learn how I've tackled global oral health Learn about my work in prevention and education Learn how I've merged art and music with dentistry . Learn how I conceptualize patient-centered care For more info about me, check out: My Publications Harvard Global Health Starter Kit co-author, 2nd author of bottle feeding case study My Art Portfolio Sold by Brown University Bookstore and featured on Columbia's Global Consortium of Climate Health Infographics Infographics that explain medical/dental concepts, tackle advocacy, and educate patients! Dental Art & Music How I combine music therapy and art to heal and educate patients! My Notes! You are free to download any of my notes, tree diagrams, and summary flow charts for medical and dental school! College Reflections My five key takeaways + lessons from Brown University: the goods, bads, and funs! Asian Identity Reflections on what it means to be Asian American and my struggles with my identity Music Compositions Performed 5 times in Carnegie Hall, 2 times in the Metropolitan Museum, 2 times in McCarter Theatre About Me! A little intro about me, my hobbies, my interests, and what inspires me! Contact Me Contact Me Send Success! Message received.

  • Resume | Bree Zhang - Aspiring Artist, Musician, Dentist

    Dental & Healthcare Experience Leadership and Outreach Research Experience Teaching and Education Music Accolades Art Accolades Resume This information can also be found on my Linkedin . Education Brown University Pyschology Sc.B. GPA 3.97 Providence RI (Graduated with Honors) ​ Columbia University College of Dental Medicine Doctorate of Dental Surgery (DDS) In Progress Dental Admissions Test (DAT): 27 Leadership Experience Columbia Dental Class of 2026, President New York, NY (2022-now) Supporting the Columbia Dental Class of 2026 by 1) meeting regularly with school administration and the Dean of Academic and Student Affairs to communicate class concerns 2) sending weekly emails to the Class of 2026 with resources, updates, events, announcements 3) organizing with members of class council representatives to ensure academic concerns, financial questions, social programming, and other class projects are going smoothly. ASDA District 2 Legislative Liaison New York, NY (2023-present) Organizing advocacy district events, coordinating with state dental associations, county associations, compiling resources for chapters to promote advocacy campaigns, planning New York State Advocacy Day and ADA Joint Lobby Day, District 1-3 Legislative Coordinator on the Council on Advocacy, informing cabinet and district members on NY, NJ & federal legislative updates & informs cabinet and district members. ​ American Public Health Association, Oral Health Section Liaison New York, NY (2022-present) Named the Student Assembly Section Liaison of the Year. Spearheading social media strategy and creating oral health and public health infographics for American Public Health Oral Health Section. Establishing communicating channels between American Student Dental Association with American Public Health Association. Engaging pre-dental students in public health and APHA activities. ​ International Collaboration and Exchange Program, Team Leader New York, NY (2022-present) Engaged with students in 20+ universities across 4 continents. Facilitated small peer group conversations differences in healthcare systems, health ethics and law challenges, advancements in biotechnology, reflections on the topic of anatomy body donation, and experiences during the global pandemic. ​ Brown University Class of 2022, Co-President Providence RI (2018-2022) Planned class-wide events, focusing on inclusivity and accessibility to promote class spirit and unity, sustaining traditions while creating new ones that represent the ever-changing student demographic. Also served as resource channel for academic, social, and extracurricular support for students during the virtual semester. Planned Senior Week and will be responsible for planning Brown Class of 2022 five year reunion. ​ Brown University Pre-dental Society, President Providence RI (2018-2022) Spearheaded the “Oral Health for the Elderly” initiative to provide oral hygiene training sessions to caretakers at nursing homes, working with the Oral Health Program at RI Department of Health. Organized community service RI Mission of Mercy, inter-school conferences, and panels inviting dental students and dentists to inspire pre-dentals. Dental & Healthcare Experience Research Experience Lipton Narrative Medicine Fellow Columbia University, NY (2023-present) Awarded $7000 to develop pilot research project assessing the introduction of basic pillars of narrative medicine into Columbia University first-year dental curriculum, including the experience of close reading, reflective writing and sharing with peers. Conducted literature review, wrote IRB proposal, designed survey, collected data. ​ Harvard School of Dental Medicine Global Health Starter Kit Author Boston MA (2021-2022) Working with Dr. Seymour, Global Health Discipline Director at Harvard School of Dental Medicine, to spearhead the development of two new modules "COVID-19: Global Lessons for a Global Profession" and “Global Health for Pre-dental Students,” within Harvard School of Dental Medicine's Global Health Starter Kit, a competency-based global health ‘starter’ curriculum designed for dental educators and students. View the previous five modules here . ​ Bottle-Feeding Case Study Research, Second Main-Writer Annandale NJ (2017-2018) Studied anterior crossbite correction through bottle-feeding under Dr. Zhu and Dr. Rosivack at Rutgers School of Dental Medicine. Contacted hospitals, collected data, obtained reference photos, generated diagrams, wrote and revised drafts of published case report “Early Correction of Anterior Crossbite Through Bottle Feeding.” Sobel Causality and Mind Lab, Research Assistant Providence RI (2020-2022) Investigating children’s reasoning and social cognition by designing and drawing digital storyboards for experiments, coding, transcribing, and interpreting data, creating graphics and diagrams for research papers with photoshop and powerpoint. Conducted independent study and designed an experiment from scratch to study praise's effects on children's motivation, which became part of Senior Thesis. ​ Harvard School of Dental Medicine ASDA, Dental Advocacy Fellow Boston MA (2020-present) Researching links between oral and mental health such as eating disorders and depression, creating educational materials on ways for HSDM students to get involved in community-based dental clinics, spearheading project on children’s oral health education to increase accessibility for families with language barriers and poor internet access. Leadership and Outreach Research Experience Work Experience Dental Associates of RI, Dental Assistant & Practice Coordinator Johnston RI (2021-2022) Provided quality chair-side assisting while spearheading new practice innovations: Integrated music therapy to reduce dental fear and anxiety. Transitioned practice to paperless operations to increase efficiency. Redesigned website, created graphics, optimized SEO. Implemented social media strategy, featuring therapy dogs, teambuilding and staff interactions, community-based involvement and partnerships, and patient engagement. ​ Mercer Oral Surgery, Surgical Assistant Hamilton NJ (Summer 2020) Chair-side assisted in oral and maxillofacial surgeries such as general anesthesia, bone grafts, implants, wisdom teeth extractions, biopsies, alveoloplasty by suctioning, irrigating, preparing sutures, retracting, and more. Sterilized and disinfected instruments and operating rooms, maintaining a clean environment during COVID-19. ​ Hunterdon Family Dental Care, Dental Assistant and Receptionist Lebanon NJ (2015-present) Provided quality care to patients through chair-side assisting, sterilizing and disinfecting operatories, preparing procedures like crowns, bridges, veneers, root canals, implants, Invisalign. Assisted in operating new CEREC 3D scanning and milling technology. Rebuilt new website , optimized SEO and rankings, redesigned office logo and PR, managed advertising and hiring campaigns. ​ Rhode Island Free Clinic, Dental Assistant Volunteer Providence RI (2019-2020) Volunteered in newly established dental clinic to provide service to uninsured low-income adults through chair-side assisting, sterilizing and disinfecting dental operatories, charting medical records and treatment plan options. ​ Rhode Island Hospital, Music Therapy Volunteer Providence RI (2019-2020) Performed palliative music for patients at the Cancer Center through the Hands Through Harmony Program and fostered creative expression in children coping with illness or injury by providing therapeutic arts and crafts. Teaching and Education Education and Teaching Experience Columbia IYRC Medicine and Research Program, Teaching Fellow New York NY (2023-present) Taught high school students from around the world foundational medical topics focusing on public health relevance (STI, substance use, diabetes, mental health). Held weekly office hours, facilitated discussions, acted as standardized patients for students, and created lectures on Eating Disorders, Art in Medicine, and Oral Systemic Link for students. ​ PrincetoNow Education Services Inc., Senior Essay Specialist Princeton NJ (2018-present) Guided students in developing, editing, and polishing application essays. Interviewed students about talents and interests, helped formulate extracurricular activities and career goals. Provided mock interviews. Children’s Medical Foundation, Fellowship Associate Summer Intern Hong Kong, China (2019) Implemented and executed CMF 2019 Social Impact Fellowship through curriculum and logistical development. Generated and managed communications and social media strategy through platforms like LinkedIn, Instagram, Facebook, and Salesforce. Designed promotional material, signage, and invitations for branding and marketing. Huaxia Bridgewater Chinese School, Guzheng Class Co-Founder and Teacher Bridgewater NJ (2014-2018) Co-founded the first guzheng (21-stringed Chinese harp) class at Huaxia Chinese school for children age 6-13. Led students to perform in Bridgewater Rehabilitation Center, Somerville Heritage Festival, Patriots Baseball Stadium. Invited Talks and Conference Presentations “Columbia Mobile Dental Clinic: Reducing Barriers to Care” - American Dental Association Smile Conference (Orlando, Florida - 2023) “COVID-19: Global Lessons for a Global Profession” - American Public Health Association Annual Conference (Atlanta, Georgia – 2023) “Painting Metaphors in Medicine” - International Young Researcher’s Conference (Tokyo, Japan - 2023) – Access presentation here “Creating Your Own Ice Cream Flavor” – TEDx Speaker at Brown University (Providence, RI, 2022) – Access full talk here Scholarships and Awards National Health Service Corps Scholarship Recipient – awarded 2 years of full tuition and monthly living stipend payments for dental school in exchange for practicing in a health professional shortage area after graduation (2022) American Public Health Association Student Assembly Liaison of the Year Scholarship – awarded scholarship to travel and attend APHA Annual conference in Atlanta, Georgia (2023) Community Health Center Pediatric Workgroup Stipend Award – awarded $1100 to take part in American Academy of Pediatrics (AAP) and the Association of Clinicians for the Underserved's (ACU) working group (2023) American Student Dental Association District 2 Outstanding Advocate Recipient (2022) Brown University Undergraduate Research and Teaching Award Recipient – received $2500 stipend to conduct developmental psychology research for senior thesis (2021) Publications and Published Writing “COVID-19: Global Lessons for a Global Profession” Zhang B., Zokaie T. Module 7: COVID-19- Global Lessons for a Global Profession In: Toward Competency-Based Best Practices for Global Health in Dental Education: A Global Health Starter Kit 2nd Edition. Senior editor Seymour B., Assistant editors Clem B, Ramesh N, Suri D., Advisory editor Barrow J. A project of the Consortium of Universities for Global Health Global Oral Health Interest Group and Harvard School of Dental Medicine; 2022​. Available at: “Does the position of a bottle during infant feeding influence the jaw's postural position?” Zhu H, Zhang B, Rosivack RG. Does the position of a bottle during infant feeding influence the jaw's postural position?. J Indian Soc Pedod Prev Dent. 2019;37(4):405-408. doi:10.4103/JISPPD.JISPPD_91_18 Available at: ​ Published Writing Contour Magazine “Don’t Forget to Advocate for You” (2023) Columbia Global Consortium on Climate and Health Education “Our Body is an Earth” (2022) Music Accolades Music Accolades Performance Locations Carnegie Hall (2014, 2015, 2016, 2017, 2018) The First Baptist Church in America (2022) Metropolitan Museum of Art (2015, 2016) McCarter Theater (2015) Drew University (2014, 2015, 2016, 2017, 2018) New Jersey Performing Arts Center (2019) Westminster Choir College (2016, 2017) Rutgers Nicholas Center (2014, 2018) Awards and Honors Gold Prize, Sinovision Television Teen's Talent Competition (2017) ​ Self-composition "Journey" and "Dancing in Snowflakes" performed by MFCYO Orchestra at Drew University (2017-2018) ​ 4th Place, Central China TV Talent Competition (2017) ​ Grand Prize, National League of Performing Arts Young Musician's Showcase Competition (2015) ​ 1st Place, Princeton International Chinese Music Competition Award (2014) ​ 1st Place, New Jersey Music Teacher's Association Young Musician's Competition (2014-2016) ​ ​ Art Accolades Art Accolades Intima Journal of Narrative Medicine “Buckets of Oxygen, Buckets of Love” (2023) ​ Brown Journal of Medical Humanities “A Thank You to Our Donors” (2023) ​ Brown University Bookstore Artist “Brunoscapes” (2022) ​ Columbia Pathology and Cell Biology Newsletter “Histology of Central Park” (2023) ​ New York Times interview “Honoring the Body Donors Who Are a Medical Student’s ‘First Patient” (2023) ​ National ACP Internal Medicine Meeting – artwork presented in talk by Dr. Esquitin from Columbia University ​ Harvard Medical School - artwork presented in anatomy lectures by Dr. Sabine Hildebrant Watson Institute for International and Public Affairs "Time Capsule" Exhibit (2021) ​ Brown University Watson Institute for International and Public Affairs "Time Capsule" Exhibit (2021) ​ Winner, International Fund for Animal Welfare Competition U.S. Winner: selected for publication in the yearly calendar (2016) ​ See Art Portfolio Skills Certificates Mental Health First Aid Basic Life Support and CPR ​ Fluent in Mandarin (writing, reading, speaking) Digital art (Photoshop, Clip Studio Paint) Infographics (Canva) Music composition and mixing (Studio One 3, Musescore) Filmmaking and Video Editing (Adobe Premiere) Excel and Powerpoint. For more info about me, check out: Art Portfolio Time Lapse Art Music Compositions My Guzheng Story My Dental Journey My Asian Identity

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